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An unavoidable mission
After some time living in Houston, where she got
a Master's degree in Literature, she continued
with some classes about cultural administration
and worked for institutions connected to Museums.
While flying back to Chile, she saw her goal clearly.
"It was as if I had seen the word Heritage
written on the plane's window", she told
a magazine. So she became the Chilean Cultural
Heritage's Executive Vice-President from its foundation,
in 1995, a position she holds until now.
In five years, her work made the Corporation move
an average of a million dollars per year. She
became President of the Friends of Museums Chilean
Federation. In the year 2000, through a project
done with the Cultural Donations Law, she created
the first webpage of Chilean Cultural Heritage
in the Entel Internet website: www.nuestro.cl.
Its English version started in November, 2002.
It was her initiative to create the Bicentennial
Award to distinguish annually, until the year
2010 -Chile's 200 years of Independence- ten figures
to be highlighted on the areas of culture or social
service. Until now, the award has gone to Eugenio
Heiremans (2000), Nicanor Parra (2001) and Gabriel
Valdés (2002).
Bases and projections
The Corporation has worked on solid ground, clear
criteria and a vision of patrimony which is wide
and updated. "It is something you build with
experience", believes its Executive Vice-President.
Her principles are based on a view of patrimonial
work which is live and dynamic, with results that
have to be long-lasting and significant. The stories
written by peasants, a meeting of popular singers,
an archeological investigation or the restoration
of the Agustinas Church. All these are equally
valuable from a heritage point of view. The Corporation
also works on areas as important as education
and tourism.
"It is recently being understood the potential
of tourism as a way of conservation for patrimony,
which generates promotion, work, resources. And,
what's most important, the recognition of its
value by the inhabitants of that city, village
or neighborhood", she says.
This woman, classical and visionary at the same
time, claimed among other things the space of
decorative arts, an issue of which she is preparing
a book. "I am fascinated by the way we live.
It is not about having expensive things, but how
the objects that surround you help your life quality.
The objects reflect a person and a family's identity.
It is a vital thing".
Her mother had a special interest in decoration
and gardening. Parallel to this practical and
aesthetical side, one finds her intellectual concerns,
all from a father who was a writer and avid reader.
"What most attracted me as a child was the
world of ideas and theories", she remembers.
"That's why I studied Philosophy. I was raised
in a family that encouraged the search of a free
thinking".
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